From the Archives

William Henry Van Ornum, “Why Government at All?” (1892)

[one_third padding=”0 10px 0 0px”][/one_third][two_third_last padding=”0 0px 0 10px”] Why Government at All? William Henry Van Ornum —– Charles H. Kerr & Co., 1892 issued without copyright TABLE OF CONTENTS. Preface PART I. REVIEWS. Introduction Henry George: his Economic Absurdities and Contradictions The Single Tax: Inadequate, Illogical, Cumbersome, and Unjust State Socialism: its Origin, Objects, and Methods State Socialism: its Foundation and Necessary Development The Fallacies of Karl Marx The Fallacies of Edward Bellamy The Fallacies of P. J. Proudhon and his School Social Palliatives Reform by Political Methods PART II. PRINCIPLES The Motive of Human Action The Object of […]
From the Archives

“King Killing” (1795)

[one_third padding=”0 10px 0 0px”][/one_third][two_third_last padding=”0 0px 0 10px”] KING KILLING. —– Shall Kings alone claim an exemption from Law, an impunity of Wickedness? Shall our idolatrous and servile spirit set up for worship a golden Image, like that of Nebuchadnezzar—a piece of metal, which neither hopes for Reward, nor fears Punishment? Shall Vice and Villainy, whom accident may have encircled with the diadem, be deified and worshipped by uncomplaining impotence and servile fear? What reader, of whatever party or principle, is shocked, when he reads in ancient history, that the Roman Senate voted Nero Their Sovereign to be a […]
Utopian and Scientific

Mathieu Briancourt, “The Organization of Labor & Association” (1846)

Many good minds have long been persuaded that on the present generation must devolve the task of solving the formidable problem of the organization of labor, under penalty of being visited by a social revolution, the terrible consequences of which are incalculable. This belief gains ground every moment, and already this question of life and death for civilization is placed among the orders of the day by the most valuable organs of publication.

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The Sex Question

Works by Sophie Kropotkin (La Frondeuse #6)

[one_third padding=”0 10px 0 0px”][/one_third][two_third_last padding=”0 0px 0 10px”] LA FRONDEUSE unruly writing by radical women No. 6 FEATURING WORKS BY SOPHIE KROPOTKIN CORVUS EDITIONS MARCH 2013 It is an unfortunately common experience to find, while researching some one of the more-or-less well-known male figures in anarchist history, some glimpses of wives, daughters, sisters, lovers or female comrades who have barely left a mark in the historical record. In the case of Sophie Ananiev, the wife of Peter Kropotkin, we are fortunate to have a small, but diverse selection of works which have been translated into English. SOPHIE KROPOTKIN THE […]
Working Translations

Sylvain Maréchal, “The Desert Island” (1788)

In the opening pages of Sylvain Maréchal’s play, The Last Judgment of Kings, we find the following notice: [one_half padding=”0 10px 0 0px”] L’idée de cette pièce est prise dans l’Apologue suivant, faisant partie des Leçons du fils ainé d’un roi, ouvrage philosophique du même auteur, publié au commencement de 1789, et mis à l’index par la Police. [/one_half][one_half_last padding=”0 0px 0 10px”] The idea for this play is taken from the following Apologue, part of the Lessons for the Eldest Son of a King, a philosophical work by the same author, published at the beginning of 1789, and put […]
Working Translations

Sylvain Maréchal, “The Pig-Keeper King” (1788)

In those days, a young king was inclined to dissipation, even to villainy; it was a hereditary vice. The états-généraux, natural guardians of the sovereign, who had never been emancipated from them, assembled & agreed on a means of correcting the young prince. One day, when he had abandoned himself completely to his foul penchants, and was plunged into a deep sleep, they seized his royal person; from his palace, they transported him on a litter, still sleeping, to a stable.

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Working Translations

Sylvain Maréchal, ” Prometheus” (1788)

Thus far, the mythologists have misreported the allegorical history of Prometheus. Here are the facts: that ingenious artist of antiquity, having kneaded clay in water, made from it several figures of men, which he animated with the elemental fire. He took great pleasure in his work, like a father in his children.

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