In both musical and visual art, my approach is essentially a matter of collage. This is, perhaps, not so far from the method of synthesis that guides my historical and theoretical work or from the […]
Guinea-Pig Fleet was really the culmination of the first set of Libertatia Laboratories projects — some twenty years ago — a noisy sort of “ambient” project, driven by research I was doing at the time on nuclear and incendiary warfare, nuclear tests and civil defense. […]
I’m sharing the tracks here with a bit of a nod and wink. They are, among other things, uncharacteristically musical, even if that musicality is a bit mutated. […]
We become anarchists by embracing and internalizing anarchy. We express that internalized anarchy by constructing anarchisms. I take this to be a kind of general formula, describing the relations between three key concepts — anarchy, anarchist and anarchism — in their most general senses. This formula should be applicable to any form of anarchism that defines itself in terms of a commitment to anarchy. It should serve us as a rough schematic as we analyze and construct various anarchisms. […]
If we are to follow Proudhon’s an-archic account of social organization, we can expect the social collectivities that we encounter to be self-organizing associations of human beings, onto which some kind of governmental framework has been imposed from the outside. The authoritarian pretense is that society — human association in all its dynamic forms — has not really been established until the material relations of association have been seconded in some way by the establishment of an authority, sitting atop some kind of fundamentally political hierarchy. The anarchic response is that authority and hierarchy are inessential elements that we must learn to do without. […]
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